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Following the simultaneous written and cinematic success of its predecessor, 'Presumed Innocent,' Scott Turow again returns to Kindle County for another dramatic exploration of the emotional vagaries of lives wrapped in the curious legal subculture of American society. In Turow's 'Burden of Proof,' we find ourselves three years following the events of 'Presumed Innocent' as a spectator in the life of Sandy Stern, the attorney who famously defended Rusty Sabich in the murder trial from the prior Following the simultaneous written and cinematic success of its predecessor, 'Presumed Innocent,' Scott Turow again returns to Kindle County for another dramatic exploration of the emotional vagaries of lives wrapped in the curious legal subculture of American society. In Turow's 'Burden of Proof,' we find ourselves three years following the events of 'Presumed Innocent' as a spectator in the life of Sandy Stern, the attorney who famously defended Rusty Sabich in the murder trial from the prior story.
This time, there is no murder, but there is a death; the suicide of Sandy's wife, Clara, mated to a seemingly inexplicable withdrawal from her personal trust fund just days before her death. Her death and the unexplained financial transaction leave Stern with more questions than answers, holding fast only to the too-vivid memory of his having discovered the deceased Clara in their garage. Amid Stern's personal tragedy unfolds the increasing encroachment of the legal issues surrounding one of his more problematic clients, Dixon Hartnell, a man of decidely questionable ethics, owner of a large investment corporation, and married to Silvia, one of Stern's sisters. His employment of Stern's son-in-law John, married to daughter Kate, as a floor trader at the Kindle exchange doesn't make things any simpler. Amid the ever tightening circle of influence that an unfolding scandal around Hartnell reveals is the introspection that Clara's death forces on Stern, one wherein he tries to assess his distance as a husband and father, and how his skill at matters of law institutionalized that distance to the point of distraction, creating flawed relationships, incomplete perspectives of his own family, and, ultimately, a troubling picture of himself. He sees himself idealized too much by his other sister, Marta, and fundamentally alienated from his son, Peter, a successful physician. Turow orchestrates an articulately choreographed dance among Stern's family, his neighbors, and the professional peers into a narrative that deviates from its tightly defined story in only a few places.
There is little wasted motion, and correspondingly few wasted characters. From the representatives of the US attorney's office that involve themselves in Hartnell's issues, to the office flunkies that manage his company's trading operations, to the neighbors more involved with Sandy following Clara's death, each is woven with a credible and important role in 'Burden of Proof.'
Turow draws his characters with sculptor-like precision and insight, with the cognitive depth of a high-resolution mental camera. As one might contrast his writing style with that of John Grisham's typically brisk pacing, Turow's is methodical, deliberate, and purposeful, articulating the finest detail from the subtlest nuance. If Grisham is the quick pacing of a staccato offering, Turow's is the legato counterpart. Even ancillary characters are richly conceived, even if they are nothing more than secondary to the plot, and the richness strengthens the novel's reality with each page. For all of Turow's literary excellence, however, comes a distasteful tempering. Turow holds nothing back in the narrative in describing (among others) Stern's personal exploits as a newly single man among multiple female encounters.
The description, in the abstract, is understandable as character exposition, but the lurid depths to which Turow sinks in his narrative grossly tarnishes the broader epic with details better left to magazines rightly delivered in plain brown wrappers. The vulgarity and crassness with which Turow communicates these wholly unnecessary details belies his obvious skill with and mastery of the written word. Where 'Burden of Proof' was my first Turow novel, this issue alone serves as a primary reason it may well be my last. While the narrative of 'Burden of Proof' is efficient, it isn't without flaw. Midway through the text, Stern's younger-days courtship of Clara and his edgy relationship with her father are interwoven in flashback.
As the latter third of the novel unfolds, these flashbacks become intrusive and needlessly break the narrative momentum as the story progresses to its conclusion. Moreover, Turow waits almost too long to move the story into a higher gear, as Stern's sexual escapades and neighborly intrusions push 'Proof' perilously close to the border of soap opera, right down to the details of discussions had over privet-hedge trimming. 'Burden of Proof' is, at times, a masterfully woven story of personal insight, of a man arriving too late to his own midlife crisis, forced to construct for himself a new future and a new reality beset by unfathomable circumstances and a confluence of malevolence from his own family. Exceedingly raw sexual content, too much early lethargy, and a frustrating mixture of backstory told in retrospect amid the advancing narrative darkens and diminishes the mastery. And that's nothing less than a shame. This is another great and fantastic legal thriller. This one deals with Sandy Stern.
This one deals with tons of surprises and some trips down to Memory Lane with flashback, right after his wife commits suicide. But from there, he deals with an emotional load of stuff with his children and his client/brother-in-law in an embittered battle. But with every twist and turns, he discovers some family secrets behind the scenes.
We really see the emotions he goes through from grieving to outraged throu This is another great and fantastic legal thriller. This one deals with Sandy Stern. This one deals with tons of surprises and some trips down to Memory Lane with flashback, right after his wife commits suicide.
But from there, he deals with an emotional load of stuff with his children and his client/brother-in-law in an embittered battle. But with every twist and turns, he discovers some family secrets behind the scenes. We really see the emotions he goes through from grieving to outraged through the end. We do see a different side of him than before. This one will really grab you on the first page and shock you.
Not bad for the 2nd Kindle County installment in the series. I thought I would try to read some quick mystery books to shorten my TBR pile.
This book has 515 pages so it appears that winnowing effort will have to wait a while longer. This book could be 300 pages instead of 500. But it would be missing many of the human interactions that make this book so enjoyable and memorable. The legal territory we enter by reading this book includes The Grand Jury.
For me, that is an education. I have, of course, heard about Grand Juries many times but, with the help o I thought I would try to read some quick mystery books to shorten my TBR pile. This book has 515 pages so it appears that winnowing effort will have to wait a while longer. This book could be 300 pages instead of 500. But it would be missing many of the human interactions that make this book so enjoyable and memorable.
The legal territory we enter by reading this book includes The Grand Jury. For me, that is an education. I have, of course, heard about Grand Juries many times but, with the help of Scott Turow, I have painlessly expanded my knowledge of the process. I like that this book is more in depth than some mystery/crime books that can at times be skimming the surface with most characters.
You have an experience of terrific character development without a lot of extraneous information. Everything matters in this book. The words are well chosen and enjoyable to read. I sometimes found it hard to follow the trail of the crime or the events as they zigged and zagged along. As I often say, too much detail and twisting and turning for my brain. But I can work up a good deal of acceptance of the proofs or assumed proofs even if I do not fully follow them.
That means I can keep up with the story and enjoy it without burning out on details. There is plenty of material and missing a bit does no lasting damage to the reading. Stern is not young. I am not young. Heroes do not always have to be young and handsome and trim.
And people who are no longer young in years still have all the same feelings as those who are. It is interesting and encouraging to find Stern sexually attracted to a number of women after his wife dies. And to see that he can have a positive interaction with a five year old even as he has doubts about how well he did with his own children. In his own imperfections and doubts I find a likeable character. As I experienced it, the age of this book (published 22 years ago) did not have a detrimental effect on the story. The absence of cell phones and computers did not distract with dust and cobwebs.
I lived in a time without these technologies so it is not hard for me to adjust. I wonder if it is the same for readers who have never known life without electronics. Maybe those people do not read books that are 22 years old! This is an easy four star book for me. I have other Turow books on my shelf to look forward to reading when he comes up again on my cycle of authors and series. I'm sure I read this before, but many years ago.
I had to rate it 5 stars when compared to what I've been giving 4 stars recently. Complex and authentic novel centering around Sandy, the Argentinian attorney in Kindle County (Chicago) whose wife takes her life (right at the start of the book. This is really not a spoiler.) Goes on to the intricacies of cheating various commodity exchanges.
His brother-in-law (whom he really doesn't like or respect) has been accused of this and Sandy is defending h I'm sure I read this before, but many years ago. I had to rate it 5 stars when compared to what I've been giving 4 stars recently.
Complex and authentic novel centering around Sandy, the Argentinian attorney in Kindle County (Chicago) whose wife takes her life (right at the start of the book. This is really not a spoiler.) Goes on to the intricacies of cheating various commodity exchanges.
His brother-in-law (whom he really doesn't like or respect) has been accused of this and Sandy is defending him while dealing with the FBI, grand juries, etc etc etc. And more and more family members become embroiled with it all. To his surprise, he has also become sexually involved with a divorced neighbor woman and fallen in unrequited lust with a married, pregnant legal opponent which adds to his general struggle to cope with his wife's death. A long, very well-crafted novel.
I might even go back and read the first, although once you know the 'trick' in that one. An excellent read and a book that I enjoyed more for the psychological aspect than the legal thriller (that was intrinsic to the psychological part of the book). I expected a John Grisham and I encountered an amalgam of a psychological autopsy combined with the blow by blow description of the legal case. The story is two fold: a distibuished criminal attorney returns form a business trip and finds his wife of 30 years dead by suicide and at the same time he is embroiled in the defense of his bro An excellent read and a book that I enjoyed more for the psychological aspect than the legal thriller (that was intrinsic to the psychological part of the book). I expected a John Grisham and I encountered an amalgam of a psychological autopsy combined with the blow by blow description of the legal case. The story is two fold: a distibuished criminal attorney returns form a business trip and finds his wife of 30 years dead by suicide and at the same time he is embroiled in the defense of his brother-in-law that is targeted by the government for stock exhange fraud. The story unfolds backwards and forward and Sandy Stern (the lawyer) tries to understand the why's of his wife's suicide and at the same time considers and remebers his family life trying to see where he has gone wrong.
The legal thriller is very interesting too but the human side was for me was the best! Scott Turow had written an award-winning novel Presumed Innocent in 1987. In 1990, he released this second fiction The Burden of Proof that I picked up to read only recently. Scott Turow is a trained and practising lawyer.
I was drawn to reading his other books because of Presumed Innocent where the plot, the twists and turns, and the cut and thrust in a court-room setting were so clearly written for a non-lawyer like me to follow the story-line. The Burden of Proof revolves around the family of Scott Turow had written an award-winning novel Presumed Innocent in 1987. In 1990, he released this second fiction The Burden of Proof that I picked up to read only recently. Scott Turow is a trained and practising lawyer.
I was drawn to reading his other books because of Presumed Innocent where the plot, the twists and turns, and the cut and thrust in a court-room setting were so clearly written for a non-lawyer like me to follow the story-line. The Burden of Proof revolves around the family of Sandy Stern, the defence lawyer who appeared in the earlier book - Presumed Innocent. Sandy had to face two major seemingly unrelated events. One was what appeared to be a suicide of his wife, Clara, when he returned home one late afternoon from an overseas trip on an assignment.
The other was a subpoena for his brother-in-law Dixon Hartnell to appear before a United States grand jury to answer to charges of some illegal trades on commodities and futures exchanges. The story was not as simple.
Sandy’s family of three grown-up children and a son-in-law had roles to play in this story. The writer, Scott Turow, had me believe the obvious as he wrote the pages. The guilty parties and motives of actions appeared clear as day. Mio Gps Maps Free Download Australia. But the obvious is not what it is. The suspense as the plot thickened was kept throughout until Part Three of the book when Scott Turow slowly peeled off layer and layer of veil of obscuration. The guilty parties and real reasons for individual acts of deception and final actions were plainly revealed.
There is no doubt in my mind as to why events happened the way they did. The twists were complete and I believe the readers were fooled as intended by the author. There was a closure for Sandy Stern who was in the centre of his family problem. He maintained his reputation as a honourable defence lawyer who will not do anything to circumvent the codes of professional ethics of his legal profession.
It was a pleasure to read all 582 pages of this novel. I did not feel at all labored.
One page leads to another and the story flow was easy to follow. There are not too many characters and Scott Turow wrote a tightly-knitted plot without superfluous passages. So this is a second of the “Kindle County” series books that Turow has been publishing over the course of the last 30 years. I reviewed the first one a few months back.
This a “legal thriller” and starts with Sandy Stern (of Argentine Jewish descent, which comes up, repeatedly) finding his wife dead in the garage of a possible suicide. There is a note but few clues as to what might have happened.
Over the course of the subsequent days and weeks Sandy begins to piece together a hidden life that h So this is a second of the “Kindle County” series books that Turow has been publishing over the course of the last 30 years. I reviewed the first one a few months back. This a “legal thriller” and starts with Sandy Stern (of Argentine Jewish descent, which comes up, repeatedly) finding his wife dead in the garage of a possible suicide. There is a note but few clues as to what might have happened. Over the course of the subsequent days and weeks Sandy begins to piece together a hidden life that he never truly knew about his wife’s private life.
In addition, he’s defending his brother-in-law in a money-laundering case. Guess whatit’s ALL connected. This is a weird book because a lot of it tries to stay pretty tight to the idea of professional ethics and legalese about the how the different cases involved are tied together and how as a lawyer he has to proceed. Then, there’s a LOT of description of middle-aged people doing it and doing it well. Like really weird Scott Turow is about 60ish now, and so he would have been in his early 30s when he wrote this book, but he is absolutely fascinated with middle-age sex. I mean it’s an important and interesting topic, but not one that seems to have much place in a legal thriller.
I do appreciate that this book is trying to be more than its components, but it’s a weird concern. This series I think functions like the Tana French series where it Daisy Chains the subject matter by moving from one character in the first book to the next. This book took me forever to read and after all was said and done, nothing really happened. It's supposed to be a legal thriller but there's very little to do with the law in it and it's definitely not very thrilling. It's the story of Sandy Stern, after learning his wife has committed suicide, tries to deal with his new life and a legal issue his brother in law is having. The majority of the book is spent with Sandy throwing himself at lots of different women, now that he's 'free' I guess, and This book took me forever to read and after all was said and done, nothing really happened.
It's supposed to be a legal thriller but there's very little to do with the law in it and it's definitely not very thrilling. It's the story of Sandy Stern, after learning his wife has committed suicide, tries to deal with his new life and a legal issue his brother in law is having. The majority of the book is spent with Sandy throwing himself at lots of different women, now that he's 'free' I guess, and working on his relationships with his kids. We spend several pages simply watching him pick strawberries. The best two words that sum up this book: nothing happens.
This review has been hidden because it contains spoilers. To view it, The story line is a five star hands down. I loved the deceit and strategies behind selling short and the cover up of the family members and the mystery behind The Who done it.
Excellently written and applaud the masterful writing here. Now the bad part. Why do you have a middle age, overweight man, who just lost his wife, banging all these women all of a sudden. And why did the author need to write in three different love triangles. Ya I know a triangle has three sides but this was like The story line is a five star hands down. I loved the deceit and strategies behind selling short and the cover up of the family members and the mystery behind The Who done it.
Excellently written and applaud the masterful writing here. Now the bad part. Why do you have a middle age, overweight man, who just lost his wife, banging all these women all of a sudden.
And why did the author need to write in three different love triangles. Ya I know a triangle has three sides but this was like nine sided. Totally disrupted the excellent story.
Was this a romance novel? And oh cumon, what lawyer would load a body into his trunk and move it? Scott Turow is the author of ten bestselling works of fiction, including IDENTICAL, INNOCENT, PRESUMED INNOCENT, and THE BURDEN OF PROOF, and two nonfiction books, including ONE L, about his experience as a law student. His books have been translated into more than forty languages, sold more than thirty million copies worldwide, and have been adapted into movies and television projects. He has fre Scott Turow is the author of ten bestselling works of fiction, including IDENTICAL, INNOCENT, PRESUMED INNOCENT, and THE BURDEN OF PROOF, and two nonfiction books, including ONE L, about his experience as a law student. His books have been translated into more than forty languages, sold more than thirty million copies worldwide, and have been adapted into movies and television projects. He has frequently contributed essays and op-ed pieces to publications such as the New York Times, Washington Post, Vanity Fair, The New Yorker, and The Atlantic.